02.03.06 - BBC Online: Pete and Dud return to the stage
04.03.06 - Guardian
Guide Comedy Preview by William Cook
"An engrossing tragicomedy about the price of talent and
the true cost of laughter"
04.03.06 - The Times Theatre Critics Choice by Benedict Nightingale
07.03.06 - Evening Standard Column by Francis Wheen
"This time it's Dud who steals the show, in an irresistibly
energetic performance by Kevin Bishop"
08.03.06 - Daily Telegraph Interview with John Bassett
Kate Devlin meets the man who brought
Peter Cook and Dudley Moore together
08.03.06 - Daily Mail review - Cutting Cook,
cuddly Dudley... and a few fringe benefits - by Quentin
Letts
"It is the lack of spite that
makes this show so commendable. It is comforting to be reminded of the merry
chaos Cook, with his English attachment to failure, could cause on stage.
This amusing, touching evening is a reminder that the path to comic success
is one often brambled by unhappiness. Laughs are won at a price"
08.03.06 - Evening
Standard review - A Dud that's a big hit - by Fiona Mountford
"Sparky duo ensure this revue is no dud"
08.03.06 - Whatsonstage.com
review by Mark Shenton
"Beyond the meticulous renderings
of some of their comic set piece routines, there’s also the tug of something
at once human, tentative and unresolved about the painful demons that stalked
them both... in a theatre, resounding the sound of laughter for much of the
time, the stillness of such moments is accentuated."
08.03.06 - Chortle.co.uk
review by Steve Bennett
"Success here depends entirely on the ability of the actors to
capture the spirit of the original performers – and this is where the
production scores a major hit. Kevin Bishop offers a close impersonation of
Dud’s
nasal delivery and easy laugh, while Tom Goodman Hill recreates Cook’s
aloof superiority, without attempting to be a carbon copy."
08.03.06 - Britishtheatreguide.info
review by Philip Fisher
"Poignant and funny... in addition to Pete and
Dud, the first flashback of many sees the versatile Colin Hoult playing Jonathan
Miller and Fergus Craig as a convincing Alan Bennett providing laughs galore."
08.03.06 - London Theatre Guide - First Night Feature by Matthew Amer
08.03.06 - London Theatre review by Peter Brown
"Those of a 'certain age' will find this a riveting reminder
of the humour of Cook and Moore, but there's more than sufficient to provide
a great evening's entertainment for younger theatre goers too, because
it's not only a well-written and well-directed show, but the humour is
razor sharp and not at all dated or outmoded. Essentially, it's an irresistibly
funny show with some cracking one-liners."
09.03.06 - Theatre Guide London review by Gerry Berkowtiz
"Audiences
who come in expecting merely a tribute show will find considerably
more going on, and will leave having laughed their fill but also thought
a bit. And that's not a bad way to spend an evening."
09.03.06 - The
Times review by Benedict Nightingale
"Kevin Bishop
can grin and mug as goofily as Dud and even bang out Beethoven parodies on
the piano, and the laidback Pete of Tom Goodman-Hill can barely say a sentence
without finding some absurdity in it."
09.03.06 - Ham&High interview with Tom Goodman-Hill by Bridget Galton
10.03.06 - Camden
New Journal review by
Peter Gruner
"The actors go beyond simply mimicking their alter
egos. They portray Cook and Moore as they might have been in real life, beyond
reach of the cameras and microphones. A great script by Chris Bartlett and
Nick Awde and excellent support by Alexander Kirk, as chat show host, Tony
Ferguson,
Colin Hoult and Fergus Craig."
10.03.06 - Daily Telegraph review by Charles Spencer
"I laughed
a lot... irresistibly funny"
11.03.06 - Daily Telegraph Critics Choice by Charles
Spencer
"This show is a joy"
11.03.06 - Rogues & Vagabonds
review by
Amanda Hodges
"Chris Bartlett and Nick Awde's highly entertaining
play, which boasts a strong cast, is at its best when Cook (Tom Goodman-Hill)
and Moore (Kevin Bishop) are sparring on-stage, their script ably assisted
by superb performances from both actors who capture the essence of each man
to perfection."
12.03.06 - Mail on Sunday review by Georgina Brown
"Kevin Bishop has real sweetness
and charm as the unlikely ‘sex thimble’. His accent is a hilarious
nasal hybrid of Dagenham and posh, and he frequently loses his thread altogether
in an infectious giggle. He seems to be underplaying himself, just as Dud
often did. Tom Goodman-Hill is also spot-on as Cook: a witty, withering,
chain-smoking, rather sour, stuck-up toff. But it’s the way the actors
bounce off each other with the apparent spontaneity of the real thing that
dazzles. Moore and Cook’s comic freewheeling is superbly caught in
a deconstruction of Aretha Franklin’s song Respect. Those who know
the original sketch on which this is based will laugh as much as those hearing
it for the first time."
13.03.06 - musicOMH.com review by Neil Dowden
"A comedy partnership made in heaven, as we are reminded by the
brilliantly re-staged skits in Owen Lewis’s slick production"
14.03.06 - The Guardian review by Lyn Gardner
"Kevin Bishop and Tom Goodman-Hill do considerably more than merely
impersonate the comedy greats, and the supporting cast do enjoyably malicious
turns as
Bennett and Miller as well as playing a host of other roles. It all adds
up to an affectionate and yet perceptive evening, with some great put-downs."
16.03.06 - The Spectator review by Toby
Young
"Hiring young comic actors to recreate the classic routines
of Britain's most famous comedians of yesteryear has become a mini-genre
in the past five years... this is the best of the ones I have
seen, principally because the original material is so strong. There's surely
nothing funnier in the West End at the moment than watching Goodman-Hill
and Bishop faithfully rehash the best bits of Derek and Clive Live. The entire
play lasts only 2h15m, but I could have happily sat there all night."
17.03.06 - The Sun review by Bill Hagerty
"Chris Bartlett and
Nick Awde's new play aims to examine the hazardous partnership of two more
dead
stars but succeeds mainly in reminding us what an inspired coupling the
real thing was. Kevin Bishop produces uncanny facial and vocal impersonations
of Moore and Tom Goodman-Hill perfectly captures aloof comic genius Cook.
Their story didn't end happily for either - but you'll be helpless with
laughter as it unfolds."
Also you can listen to an exclusive broadcast by Kevin Bishop and Tom Goodman-Hill
via iTunes if you click
this link to subscribe to The Sun's podcast
18.03.06 - The Guardian Guide #1 Comedy Critics Choice by
William Cook
"A West End transfer for Bartlett and Awde's absorbing play about
Peter Cook and Dudley Moore, a hit at last summer's Edinburgh festival."
18.03.06 - Daily Telegraph Critics Choice by
Charles Spencer
"I've been asked to point out that the sketches in this show,
though clearly inspired by original Peter Cook and Dudley Moore material,
are in
fact the work of authors Chris Bartlett and Nick Awde. So accurate is their
homage that I found it indistinguishable from the real thing. Sorry, lads,
and well done."
19.03.06 - The Observer review by Veronica
Lee
"Kevin Bishop does an uncanny impersonation of Moore, chirpy but chippy
Essex boy made good, while Tom Goodman Hill's Cook is a masterclass in urbane
sneering.
Owen Lewis directs
with aplomb."
19.03.06 - Daily Express review by Mark
Shenton
"Real-life characters also brilliantly live again in Pete and Dud:
Come Again, a new play detailing the troubled off- and on-stage lives of comedians
Cook and Moore. At the recording for a 1982 Wogan-like TV interview, Dud, by
now a Hollywood 'sex thimble', is promoting a new movie and is unexpectedly
reunited with Pete. The interviewer rewinds over their past, deeply competitive
and personal lives. This canny device is propelled by the uncanny impersonations
of Kevin Bishop (a far from dud Dud) and Tom Goodman-Hill (a dry, laconic Cook)."